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etchings in the yale center for british artyale center for british arthand-coloredjames gillrayisaac cruikshankrichard newtonpaperpencharles hamilton smithjohn wykeham archer
A Section of a Magnificent & Superb Water Closet ---, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
Room in Fulwood's Rents, Gray's Inn, John Wykeham Archer, 1850
etchings in the yale center for british artjohn wykeham archer
Saltash, Cornwall, Charles Hamilton Smith, between 1827 and 1838
etchings in the yale center for british artcharles hamilton smith
Pylades & Orestes (Stadtholder & His Secretary), James Gillray, 1797
etchings in the yale center for british artjames gillray
General Mack, Scampering Back!, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
Louis XVI Taking Leave of His Wife and Family, James Gillray, 1793
etchings in the yale center for british artjames gillray
Two of a Trade Can Never Agree, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
A Witch, Upon a Mount's Edge - Vide: Fuzelli, James Gillray, 1791
etchings in the yale center for british artjames gillray
No Flower that Blows, Is Like this Rose, James Gillray, 1796
etchings in the yale center for british artjames gillray
A Dash Up St. James's Street, James Gillray, 1797
etchings in the yale center for british artjames gillray
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations, James Gillray, 1795
etchings in the yale center for british artjames gillray
Westminster Abbey, Charles William Sherborn, 1877
etchings in the yale center for british artcharles william sherborn
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull, James Gillray, 1797
etchings in the yale center for british artjames gillray
Whitehaven, Cumberland, Charles Hamilton Smith, between 1827 and 1838
etchings in the yale center for british artcharles hamilton smith
Drawing for Twelfth-Cake at St. Annes Hill!!, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
My Grandmother; Alias the Jersey Jig, Alias the Rival Widows, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself, James Gillray, 1798
etchings in the yale center for british artjames gillray
A Sphere, Projecting against a Plane ---, James Gillray, 1792
etchings in the yale center for british artjames gillray
Strong Symptoms of Loyalty, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
Whims of the Moment or the Bedford Level!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
No Reform, No Reform, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Mrs. Pickles Mistake or the New Papa Disappointed with Justice Shallows Attempt to Charm the Brutes, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Peep of Day Boy's Preventing an Union by Adding Fire to the Sun. / An Irish Method of Throwing Cold Water on a Subject!, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
Plymouth, Devonshire, William John Cooke, between 1827 and 1838
etchings in the yale center for british artwilliam john cooke
Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Episcopal Delight a Scene Near Oatlands, or The Babes in the Wood, with Rawheadon - Bloody Bones (from: Caricature, vol. 3), Isaac Cruikshank, 1789
etchings in the yale center for british artisaac cruikshank
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton, James Gillray, 1795
etchings in the yale center for british artjames gillray
The Prince at Grass --- The Prince in Clover, James Gillray, 1787
etchings in the yale center for british artjames gillray
Sin, Death, and the Devil, James Gillray, 1792
etchings in the yale center for british artjames gillray
Vices overlook'd in the New Proclamation, James Gillray, 1792
etchings in the yale center for british artjames gillray
Anticipation - Ways & Means - or - Buonaparte Really Taken!!, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Councellor Ego. - i.e.: - Little I, Myself, I., James Gillray, 1798
etchings in the yale center for british artjames gillray
Satans, Return from Earth, Discovered in Council - With Belzebub and Belial -- A Sketch after Fuseli, John Cawse, 1799
etchings in the yale center for british artjohn cawse
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child, James Gillray, 1798
etchings in the yale center for british artjames gillray
The Friendly Agent, James Gillray, 1787
etchings in the yale center for british artjames gillray
Glaucus and Scylla or the Monster in Full Cry, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
Louis Dethron'd; or Hell Broke Loose in Paris, Richard Newton, 1792
etchings in the yale center for british artrichard newton
The Victorious Procession to St. Pauls or Billy's Grand Triumphal, Entry a Prelude, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
A Salt Water Salute, Richard Newton, 1794
etchings in the yale center for british artrichard newton
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
Which is the Better Man or The Pot Calls the Kettle Blacka-e, James Gillray, 1786
etchings in the yale center for british artjames gillray
A Sketch from Highlife, Richard Newton, 1791
etchings in the yale center for british artrichard newton
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister), James Gillray, 1794
etchings in the yale center for british artjames gillray
Henry the Seventh's Chapel, Edward Rooker
etchings in the yale center for british artedward rooker
The English Regency, James Gillray, 1789
etchings in the yale center for british artjames gillray
A Warm Birth for the Old Administration -----, James Gillray, 1783
etchings in the yale center for british artjames gillray
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat, James Gillray, 1796
etchings in the yale center for british artjames gillray
Sedition, Levelling and Plundering; (rest of title cut off), Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Fall of Dagon - or Rare News for Leaden-Hall Street, James Gillray, 1784
etchings in the yale center for british artjames gillray
Patriotism, Richard Newton, 1794
etchings in the yale center for british artrichard newton
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests, James Gillray, 1798
etchings in the yale center for british artjames gillray
The Ghost's or the Taylor Befrited..., A German Story, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
Long-ships Light House, Land's End, Charles Hamilton Smith, between 1827 and 1838
etchings in the yale center for british artcharles hamilton smith
Mad Tom's First Practical Essay on the Rights of Man, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Present State of Europe, Or - John Bull on his Last Legs, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Revolution, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
How to Gain a Compleat Victory. and. Say. You. Got. Safe. Out. Of. The. Enemy's. Reach, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Gen'l Swallow Destroying the French Army, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
The Cryer, Alias the Bell Weather, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
Dinant, No. 1: Southwest View, George Arnald, between 1818 and 1828
etchings in the yale center for british artrealism
A Deputation from one of the Popular Societies of France, Endeavouring to Persuade John Bull that he can do better Without a Head than with one!!, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
A New Prop for a Rickety Stool, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
False Liberty Rejected or Fraternizing and Equalizing Principles Discarded No More Coalitions, No More French Cut Throats, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
The Maid of Bath, or 'Mac' in her Teens, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Buck & the Goose, Isaac Cruikshank, 1801
etchings in the yale center for british artisaac cruikshank
Malmsbury Abbey, Wiltshire, John Charles Varrall, between 1827 and 1838
etchings in the yale center for british artjohn charles varrall
Lear, from King Lear, Act III, Scene ii, John Hamilton Mortimer, 1776
etchings in the yale center for british artjohn hamilton mortimer
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
A Block for the Wigs - or, The New State Whirligig, James Gillray, 1783
etchings in the yale center for british artjames gillray
Prussian Bobadils, Returning to Berlin!!!!!!!, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Arming in the Defence of the French Princes or the Parting of Hector and Andromache, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2), James Gillray, 1793
etchings in the yale center for british artjames gillray
Corpor(e)al (!) Stamina., James Gillray, 1801
etchings in the yale center for british artjames gillray
The Fruition of Nantes or the Vision Interpreted, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Birds of a Feather, Flock Together - or Bond Street Loungers Attending the Examination of Their Fellow Scarecrows!, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
Grandpappa in his Glory!!!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
A Specimen of Light Horsemanship, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Salute, - Vide, The Parade, James Gillray, 1797
etchings in the yale center for british artjames gillray
Richmond Hill and Bridge, Surrey, Charles Hamilton Smith, between 1827 and 1838
etchings in the yale center for british artcharles hamilton smith
A Shot at a Cock; or, An Alarm of Assassination, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Jack A Both Sides!, James Gillray, 1783
etchings in the yale center for british artjames gillray
Les Trois Magots, James Gillray, 1791
etchings in the yale center for british artjames gillray
Marlow Ferry, Robert Walker Macbeth, 1880
etchings in the yale center for british artrobert walker macbeth
Political Sparring, for the Amusement of English Spanish French and Dutch Masters and Misses (from: Caricature, vol. 4), Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
The Bridal-Night, James Gillray, 1797
etchings in the yale center for british artjames gillray
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children, James Gillray, 1782
etchings in the yale center for british artjames gillray
The Doctor Indulged with his Favorite Scene ---, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
Harlech Castle, North Wales, Charles Hamilton Smith, between 1827 and 1838
etchings in the yale center for british artcharles hamilton smith
The Dutch Divisions, James Gillray, 1787
etchings in the yale center for british artjames gillray
Crypt under the Chapel, Lambeth Palace, John Wykeham Archer, 1851
etchings in the yale center for british artjohn wykeham archer
The Moment of Reflection or a Tale for Future Times!!!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
The Royal Society, James Gillray, 1786
etchings in the yale center for british artjames gillray
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square, James Gillray, 1796
etchings in the yale center for british artjames gillray
A Brace of Blessings, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---, James Gillray, 1795
etchings in the yale center for british artjames gillray
Pull Devil - Pull Parson, Richard Newton, 1795
etchings in the yale center for british artrichard newton
The Corporation's Visit to their Brother in Smithfield or the Hog's Feast on Being Sworn-in, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
The Antiquities of Malmsbury, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Meuse and Sambre, from the Gate of the Sambre, George Arnald, 1822
etchings in the yale center for british artrealism
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch, James Gillray, 1783
etchings in the yale center for british artjames gillray
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